Set in the early 1990s, Soori (Vijay Deverakonda) is a constable on a quest to find his missing brother, Shiva (Satya Dev). He discovers that Shiva is in Sri Lanka, engaged in smuggling operations and leading a team. Consequently, Soori is assigned as an undercover agent to locate his brother and expose the cartel’s activities. As he penetrates the gang, Soori eventually finds his brother and integrates himself into their ranks. The remainder of the story focuses on whether Shiva will recognize who his brother really is, what Soori’s true intentions are, and whether they will unite or oppose each other.
EXTRA GOOD THINGS GIVES MORE POINT
Vijay Deverakonda gives a genuine and grounded performance. He adds subtlety to a serious role without being overly dramatic, and this restraint keeps the film tonally consistent. He effectively portrays a man caught between duty and personal feelings with a believable calmness.
Satya Dev fits well into his role and shares several impactful scenes with Vijay Deverakonda. However, the writing does not allow him to fully explore the emotional depth that the story seems to promise. Their shared screen time suggests deeper emotions, but it is not developed enough to make a lasting impact.
Venkitesh plays Murugan and delivers a convincing performance, showcasing well-controlled expressions and a strong presence. However, his character feels underutilized. The film has a few standout moments, such as the bridge fight before the interval, the climax, and some well-executed action sequences that add energy and hint at a potential sequel.
NOT GOOD THINGS GIVES BAD EFFECTS
Despite being in development for almost two years, Kingdom lacks narrative strength. The story seems too familiar, offering little surprise or emotional depth to keep the audience engaged. Gowtam Tinnanuri, recognized for his earlier character-focused films, appears to have adopted a more stylized approach here, but this affects the emotional core negatively.
The emotional journey, particularly between the brothers, is intended to be the main focus, yet it feels subdued and lacks proper elevation. This disconnect diminishes the overall effect of crucial scenes. There are no standout moments that truly resonate, and the emotional scenes pass without significant impact.
Bhagyashri Borse plays a non-glamorous role but contributes little to the story. Her character seems secondary and incomplete, possibly intended for a larger arc in a future sequel. The same applies to Satya Dev’s character, who shows potential but is ultimately written too superficially for his talent.
Supporting roles and side characters come across more as placeholders than fully developed individuals. Many scenes reflect familiar moments from other films, leading to a sense of déjà vu and making the experience predictable.
REVIEW BY BUZZETHIC TEAM
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